Wednesday, October 12, 2011
Chris Brown Tops Wager Stylish-Hop Honours With Four Wins
Chris Brown was the large champion Tuesday evening in the Wager Stylish-Hop Honours, locked in Atlanta.our editor recommendsABC 'Sorry' for Airing Nicki Minaj Wardrobe Slip-Up Snoop Dogg Joining With Rapper Wiz Khalifa for 'Comedy Stoner Movie' Cash Money Founders on Lil Waynes Tha Carter IV Debut: No Record is protected From HimBET Honours Preview: Attacking Young Boys to go to, Beyonce, Lil Wayne Among Entertainers and Nominees The singer received four trophies, including best stylish-hop video and finest collaboration for "Take a look at Me Now," featuring Busta Rhymes. STORY: Chris Brown's 'Dancing Using the Stars' Performance Angers Fans Based on E! Online, Brown wasn't present in the show because he is presently on his F.A.M.E. tour, but he did tweet this message: "Thanks Wager but first and foremost TeamBreezy." Nicki Minaj, Lil Wayne and Wiz Khalifa also were one of the evening's large those who win, taking home two honours each. The second was named rookie of the season. STORY: Chris Brown Announces United States Tour Meanwhile, Kanye's My Beautiful Dark Twisted Fantasy won for the best Compact disc, while his Watch the Throne collaborator Jay-Z was named hustler of the season. The show, located by Mike Epps, featured performances by T.I., Wiz Khalifa, Large Sean, Lupe Fiasco and Erykah Badu (who initially made an appearance onstage inside a mask and surprised participants when she revealed her identity) and high D and Tyrese, amongst others. VIDEO: Chris Brown Showcases his Dance Abilities at VMAs An entire listing of those who win follows: Best Stylish-Hop Video Chris Brown task. Bustya Rhymes, "Take a look at Me Now" Best Featured Verse Chris Brown task. Busta Rhymes, "Take a look at Me Now" Best Collaboration Chris Brown task. Bustya Rhymes, "Take a look at Me Now" Best Live Artist Lil Wayne Best Lyricist Lil Wayne Video Director of the season Hype Williams Producer of the season Lex Luger MVP of the season Nicki Minaj Track of the season Wiz Khalifa, "Black and Yellow" Hustler of the season Jay-Z Compact disc of the season Kanye, My Beautiful Dark Twisted Fantasy DJ of the season DJ Khaled Rookie of the season Wiz Khalifa Best Mixtape J. Cole, Friday Evening Lights Made-You-Look Award Nicki Minaj People's Champion Award Chris Brown task. Bustya Rhymes, "Take a look at Me Now" I'm Stylish-Hop Award LL Awesome J Best Club Banger Waka Flocka Flame task. Roscoe Dash and Wale, "No Hands" Related Subjects Chris Brown Jay-Z Kanye Nicki Minaj Lil Wayne Wiz Khalifa Wager
Friday, October 7, 2011
Busy Mipcom bodes well for Biz
Sweeney Reilly'Missing'Six several days ago the world TV tribe returned within the MipTV market in Cannes anxious in regards to the future. Following Mipcom, which wrapped Thursday, they headed home in the more hopeful mood after being told through U.S. studio cake cake toppers that digital had saved their companies. The blizzard of program sales and certification pacts introduced through the marketplace certainly increased all the positive talk in the global TV biz rocketing to new levels. In the gung-ho presentation, Disney/ABC Television Group prexy Anne Sweeney told everybody else, "Technology didn't disrupt our business, it transformed it. Digital didn't weaken the power of television, it unleashed it." Professionals hope she's right, though some maintain it's still too early to see. Media stocks remain definately not buoyant, advertising areas in Europe are restless, as well as the disaster brigade predictions another recession in Western economic climates. Yet there's no denying the climate at Mipcom was buoyant among customers and merchants alike.All the large U.S. art galleries were present, as were such beginners as Miramax together with a sizable crowd from Russia, where the ad companies are a thriving 3.5 billion ($4.6 billion) yearly. So due to the economy, why a great deal buzz at Mipcom? To start with, TV viewing expires virtually everywhere, partly because people stay in more throughout tough occasions. Disney mentioned the world TV aud will grow to 3.7 billion people this year, and viewing increases with what Sweeney known to love a "staggering 140 billion several hours." Numerous that is travelled into an upswing of social media cheap tv producers began commissioning again each time a shallow economic recovery began in around 18 several days ago. Basically, the information pipeline has began circulation again. At Mipcom, Disney was showing clients several new shows, including Ashley Judd starrer "Missing," pre-agreed to 80 areas and opened up on the market. A Control Button House appeared to become speaking up video-on-demand, which, according to BBC Worldwide topper Steve Macallister, has showed up at "a tipping point." New VOD platforms, specifically in such areas as Russia which is former republics, are hungry for content -- and despite complex rights discussions, entrepreneurs are generally very happy to oblige. Kevin Reilly, prexy of entertainment for Fox Broadcasting, mentioned: "Potent TV franchises can migrate across all technologies and actions. We're forget about inside a place where content gives approach to technology. They might require us which we want them." But VOD, like traditional TV, needs entrepreneurs and clients. Should debt-laden economic climates decelerate much more, a collapse in ad trading will most likely follow. Content entrepreneurs must make sure they don't finish off shooting themselves inside the ft by inking handles online operators they later regret. " The end result is to make certain that people look into these new options without cannibalizing our content," mentioned CBS Art galleries Intl. prexy Armando Nunez prexy, a marketgoer for thirty years. "The initial a couple of days of Mipcom were more busy in comparison as to the these were returning couple of years, but we don't sell shoes. "It is the standard in the traffic, nevertheless the clients are here. It's been a great market, both if this involves traditional and nontraditional players." Jane Millichip, controlling director at Zodiak Rights London, struck an even more careful note: "As of this market we thought customers needed to have risks on new ideas. Hopefully a double-dip recession will not kill this off before it requires over.Inch Contact the number newsroom at news@variety.com
Thursday, October 6, 2011
'Seediq Bale' leads Equine race
"Players from the Rainbow: Seediq Bale"BEIJING -- Taiwan's entry for that foreign-language Oscar, "Players from the Rainbow: Seediq Bale," has brought more nominations than every other movie within the greatest Chinese-language kudofest, the Golden Equine Film Festival.Wei Te-sheng's $24 million pic, probably the most costly film in Taiwan's history, shows the Wushe Incident, a 1930 uprising by aboriginal Seediq players from the Japanese when Taiwan was colonized. It received 11 nominations for that Taiwanese honours, which is locked in Taiwan's Hsinchu City on November. 26.The 2-parter will face stiff competish from over the Strait of Taiwan. Landmass helmer Jiang Wen's B.O. success "Allow the Bullets Fly," which received nine nominations, was China's greatest grossing pic this past year. Zhang Meng's "The Piano inside a Factory" has seven nominations.Other movies arranged within the best feature film category include Ann Hui's "An Easy Existence," which is Hong Kong's foreign-language entry, and Taiwanese helmer Teng Yung-hsing's "Return Ticket."The 4 . 5 hour "Seediq Bale" seemed to be nominated for any Golden Lion Award in the Venice Film Festival this season, where it triggered debate when Taiwan objected to fest coordinators assigning it as being a Chinese co-production and required a correction to mirror the film's provenance because the self-ruled island.An overall total of 161 films will play in the 48th annual honours, that have been founded in 1962 and tend to be considered the very best honours for Chinese-language films in Asia, bringing in interest from Taiwan, Hong Kong and Landmass China. Films from Landmass China were first allowed to participate throughout the the nineteen nineties. Contact the range newsroom at news@variety.com
Wednesday, September 28, 2011
Jonah Hill Talks 'Moneyball' Honours Buzz: 'It's Really Flattering'
In the event you haven't seen "Moneyball" yet, here's some a spoiler to suit your needs: it's good. It's very, excellent. Much less a movie coming initially from from Oscar nominees Kaira Pitt and director Bennett Burns being excellent should strike anybody just like a surprise, nevertheless the film's success doesn't relaxation situated on the shoulders in several ways, "Moneyball" is Jonah Hill's homerun. Hill has an against-type turn as Peter Brand, a professional number-cruncher and stats analyst who involves use Billy Beane (Pitt) since the assistant gm for your Concord Athletics. Not just a complete week after release, Hill's "Moneyball" performance has created honours buzz, a notion that can Hill themselves completely unawares. "I am unsure, I am unsure,Inch he told MTV News when asked for how he feels in regards to the buzz surrounding his performance. "I'm just really pleased with the film. Such things as that's crazy if you hear someone request you that question legitimately." "It's flattering and awesome, but also for me the whole experience remains wonderful and i'm already as proud after i might be would I become up with an award," he added. "I have not been up for nearly any award throughout my existence ... really an MTV award [Best Comedy Performance and greatest Newcomer noms for 'Superbad'], to make sure that have been exciting enough personally.In . "I am unsure,Inch he ongoing. "Basically it's just an outrageous, insane question being asked for and you also don't define items to say when someone asks you that kind of question." Well, Jonah, time to start planning for a solution come honours season, there exists a feeling you'll be fielding that question following day of following day of day. Whoever else consider Jonah Hill's "Moneyball" performance? Inform us inside the comments section and also on Twitter!
News Corp. Paper Broke Race Laws and regulations, Australian Court Rules
NEW You are able to - An Australian newspaper possessed by Rupert Murdoch's News Corp. and something of their columnists put together guilty Wednesday of breaking the nation's race laws and regulations with articles quarrelling that fair-skinned Aborigines frequently stated these were black for private gain, Reuters reported.our editor recommendsAnalyst Downgrades News Corp. Stock, Stating Phone Hacking 'Witch Search,' 'Powerful Personal Enemies'News Corp. Receives Letter From Justice Department Associated with Foreign Bribes Probe Rupert Murdoch, James Murdoch To Manage Questioning Under Oath In Phone-Hacking Judicial InquiryRelated Subjects•Rupert Murdoch Murdoch's U.K. newspaper business continues to be under fire among a telephone hacking scandal. On Wednesday, a judge ruled that some Aborigines likely felt "upset, insulted, humiliated or intimidated" by writer Andrew Bolt's articles within the conglomerate's Melbourne Herald Sun, based on Reuters. The articles, designed in 2009, were headlined "It's so stylish to become black" and "Whitened fellas within the black." A category-action suit ended up being bought by nine aboriginal candidates. The judge ruled the articles had breached Australia's Bigotry Act. The judge told the parties to satisfy to look for the penalty the judge should hands lower. Following the decision, Bolt referred to the verdict as "a dreadful day free of charge speech within this country," Reuters stated. Related Subjects Rupert Murdoch Worldwide News Corp. Phone Hacking Scandal
Monday, September 26, 2011
6 Real-Life Things You Might Not Have Known About 'Moneyball'
'Moneyball' isn't about winning, so it's fitting that the Brad Pitt-led film fell just short of topping the box office over the weekend. (All hail 'The Lion King,' the NY Yankees to the 'Moneyball' A's.) Still, a $20.6 million first pitch is nothing to sneeze at -- 'Drive' would have killed, probably literally, for that number -- and plenty of ticket buyers put down hard-earned cash to see 'Moneyball' in theaters during week one. What did the non-baseball fans in the audience miss about the film? Some pretty interesting stuff! Ahead six things you might not have known about the real-life players in 'Moneyball.' 1. The A's starting rotation was really great "The joke on 'Moneyball' was, 'Where was the chapter on having three of the five or six best starting pitchers in the game,'" current Padres GM Jed Hoyer, formerly an assistant with the Boston Red Sox, told Sports Illustrated. Indeed, author Michael Lewis didn't make that big of a deal about the Athletics starting rotation in 'Moneyball: The Art of Winning an Unfair Game' despite the fact that it ranked as one of the best in the league in 2002. Counting runs like cards in a casino is a fun parlor trick, but not if the other team scores more. The 2002 American West Champion A's were kings of stopping the other team from scoring. The staff led the American League in ERA (Earned Run Average), and the aforementioned "three of the five or six best starting pitchers in the game" -- Tim Hudson, Barry Zito and Mark Mulder -- combined for 57 wins, 493 strikeouts and an ERA of 3.05 over 675 innings. So, not bad. The A's staff should take nothing away from the job Billy Beane did building the 2002 team -- he drafted all three players despite traditional scouts saying they had obvious flaws -- but they certainly warrant more attention then they received in both the film and book. 2. It wasn't Scott Hatteberg, Jeremy Giambi and David Justice who replaced Jason Giambi, but Miguel Tejada A big show is made in 'Moneyball' about how Beane wanted to replace the on-base percentage of Jason Giambi, Johnny Damon and Olmedo Saenz with scrap-heap players Scott Hatteberg, David Justice and Jeremy Giambi. True, but not quite: For starters, Jeremy Giambi was actually on the 2001 Oakland A's with his brother, Jason, and not acquired in the off-season; Justice led the team in walks, but only played in 118 games; and Hatteberg, contrary to what the film presents, was a fixture in the line-up and one of the most valuable players in baseball based on his salary. Still, combined, the three players hit 34 home runs, four less than Giambi hit all by himself in 2001. How did the A's really make up for his loss in the lineup? With a monster campaign from shortstop Miguel Tejada, who won MVP in 2002 and hit 34 home runs (an increase of three from the previous season) with 131 RBI (an increase of 18 RBI from the previous season). The film makes some allusion to Tejada -- who was signed before Beane took over as GM -- but you wouldn't know how important he was to the team's success without looking at the statistics. 3. Carlos Pena wasn't good Remember that part in 'Moneyball' when Billy Beane traded "All-Star" first baseman Carlos Pena because he was blocking Scott Hatteberg from playing? About that: Pena was traded to the Detroit Tigers in 2002, but it wasn't out of spite; the first baseman hit only .218 with 7 home runs in 40 games for Oakland. He wouldn't actually become an All-Star until 2009 when he was with the Tampa Bay Rays. 4. Art Howe was actually pretty passive Philip Seymour Hoffman is gruff and priggish in 'Moneyball' as Art Howe, which is kinda the exact opposite of what the real-life Art Howe was like. Described as having a Dudley Do-Right personality, Howe was laid-back during his time with Oakland -- almost too laid-back for Beane to handle. As Lewis wrote in 'Moneyball': "Billy had told Art how and where to stand during a game so that the players would be forced to look up to him and take strength from his countenance, because when Art sat on the bench, as he preferred to do, he looked like a prisoner of war." Not really the same guy you saw in the movie, right? 5. Billy Beane loved that the A's had a perceived disadvantage During the 2000 season, with Oakland on the upswing in Beane's third year on the job, Major League Baseball created a blue-ribbon panel in an effort to understand why the A's were winning. Beane reveled in keeping Major League Baseball in the dark: "'Major League,' a movie about the hapless Cleveland Indians,'" Beane and Paul DePodesta (the real-life "Peter Brand" of the film) wrote in their presentation. "In order to assemble a losing team, the owner distributes a list of players to be invited to spring training. The baseball executives say that most of these players are way past their prime. Fans see the list in the paper and remark, 'I've never even heard of half of these guys.' Our situation closely resembles the movie." Wrote Lewis: "When it suited his purposes, Billy could throw the best pity party this side of the Last Supper." All those scenes in 'Moneyball' of Beane being upset with his financial limitations? Call them dramatic license. 6. Billy Beane became Red Sox GM for a hot minute The film makes good use of Beane's flirtation with and spurning of the Boston Red Sox, but leaves one key aspect out: the real-life Beane accepted John Henry's offer to become GM of the Red Sox with a handshake agreement. Paul DePodesta was set to become Oakland's general manager, and he even went so far as to work out a trade to acquire Kevin Youkilis, the Greek God of Walks, as compensation for losing Beane. In the end, though, Beane decided against signing with Boston, Youkilis stayed with the Red Sox and became a key part of the team's World Series winner in 2007, and DePodesta would become the GM of the Dodgers in 2004. Photo: Melinda Sue Gordon/Columbia Tri-Star Related: 8 Great Movie Baseballs 8 Best Movie Baseballs In honor of 'Moneyball,' here are the eight best movie baseballs The Baseball in 'The Natural'The Baseball in 'Ferris Bueller's Day Off'The Baseball in 'E.T.: The Extra Terrestrial'The Baseball in 'Men in Black'The Baseball in 'Bull Durham'The Baseball in 'There's Something About Mary'The Baseball in 'Major League'The Baseball in 'The Sandlot' See All Moviefone Galleries » Watch The Hangover 2 Online For Free
Tuesday, September 20, 2011
I am Carolyn Parker
A Clinica Estetico, Jacob Burns Film Center POV/American Documentary presentation of the Look and remain production. Created by Jonathan Demme, Lindsay Jaeger, Daniel Wolff, Steve Apkon. Executive producers, Glenn Allen, Rocco Caruso, Abdul Franklin, Simon Kilmurry. Directed by Jonathan Demme.With: Carolyn Parker, Kyrah Julian, Ray Nagin.Jonathan Demme's "I am Carolyn Parker" provides a slender but engaging human-interest position around the slow-moving recovery effort following Hurricane Katrina. Noted for her work with respect to New Orleans' heavily influenced Lower Ninth Ward and her fellow residents' "to return," Parker constitutes a memorable camera subject perfectly suitable for Demme's scruffy, affectionate documaking. Shot within the 5 years it required to rebuild her house, this smallscreen-bound item reps a worthy addition towards the growing body of labor on Katrina and it is still-ongoing aftermath. Parker first came head lines in a The month of january 2006 city council meeting where, following the proposal of the temporary halt to repairing efforts in New Orleans' worst-flooded areas, she openly retorted, "Over my dead body." That clip supplies a feisty, inspiring counterpoint towards the warm, irrepressibly good-humored lady taken within a number of well-observed human gestures, whether she's baking chicken within the FEMA trailer she explains to her daughter or worshipping at among numerous local places of worship threatened with closure. Resourcefully made docu ties Parker's advocacy towards the civil-privileges struggle she strongly recalls coping with, which without doubt accounts a minimum of partially on her remarkable resilience.Camera (color/B&W, HD), Demme editor, Ido Haar music, Zafer Tawil music supervisor, Susan Jacobs. Examined at Venice Film Festival (Horizons), Sept. 5, 2011. (Also in Toronto Film Festival -- Real to Reel.) Running time: 91 MIN. Contact Justin Chang at justin.chang@variety.com
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